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TREKCORE >
VOY >
WAKING MOMENTS > Behind the Scenes
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This episode had the working title "Sleep of
Reason". |
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The episode's writer, André Bormanis, usually
worked as science consultant on
Star Trek: Voyager and
Deep
Space Nine. This installment was the second of seven Voyager
episodes that bear a writing credit for Bormanis, although this
is the only one for which he alone is credited as having written
both the story and script. He later said of the episode,
"I used
to have lucid dreams…I have not had them for a number of years
now. I was thinking about a possible story for Chakotay. Given
that he has a Native American heritage I thought this would be a
good area for him. I pitched it to [executive producer] Jeri
Taylor and then I sat down in the writers' room and we broke the
story. [Producer] Ken Biller helped a lot on the script." |
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During the episode's development, co-executive
producer Brannon Braga was anxious about the dream-themed
outing. "I was the only guy on the staff who didn't want to do
that episode," Braga recalled. "I felt that we do too much
dreaming on the show." |
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He also felt that
the episode helped establish his character's vague spiritual
beliefs. Beltran mused about Chakotay, "I don't think his
spirituality is very defined [....] When you don't have
definition to that sort of spiritual mysticism, you can't use it
that much. You can only use it as it pertains to a certain
episode [....] If they need me to enter my dreams in order to
take care of a problem or a dream alien or something like that,
which is in [this] episode [...] then you deal with that." |
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An over-jacket that B'Elanna Torres wears on top of
her uniform in this episode was intended to help disguise the
fact that, although the character is not pregnant at this point
in the series, actress Roxann Dawson was. |
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Even though this episode's script called for a
dreaming Tuvok to apparently find himself naked on Voyager's
bridge, Tuvok actor Tim Russ believed that, while a typical
Human would doubtlessly be embarrassed by such a situation, a
typical Vulcan wouldn't allow his or her self to feel
embarrassment and wouldn't even bother to experience such a
sensation. Russ noted, "In fact, Vulcans probably don't have the
same hang-ups Humans have about being naked. So my take on that,
as the actor playing a Vulcan, was to find a way to make that
moment work." Rather than focus on any such embarrassment, Russ
decided to concentrate on playing Tuvok's reaction to breaching
protocol by being improperly out of uniform, in a setting where
he was meant to be in uniform. Russ also believed that Tuvok
would know his nakedness would make the other bridge officers
uncomfortable, another facet that the actor tried to include in
his performance of the scene. Shortly after working on this
episode", Russ admitted, "That was interesting to play. We never
had a chance like that to look at the societal differences
between the cultures in so specific a way. I hope we get to do
more of that." |
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Tim Russ (for the filming of the scene
wherein Tuvok seemingly finds himself naked on the bridge) had
the makeup department mold a ridiculously large physical
appendage that the actor wore on to the set, where – upon Russ
removing his dressing gown to reveal that he was wearing the
molded attribute instead of underwear – the entirety of the cast
and crew broke out laughing. |
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This was the last episode of the series (and of
Star Trek) to be directed by Alexander Singer and is thus far
the last episode of television directed by him. |
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The footage of the deer that a dreaming Chakotay
sees aboard Voyager was filmed by the second unit filming crew.
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Visual effects supervisor Ronald B. Moore managed
to create the cavern full of sleeping aliens, compositing three
actors together with CG matte paintings. |
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Before this episode's first airing, several fans
and members of the production staff expected that the
installment would be extremely boring. A production staffer who
ultimately revised his opinion of the episode was Brannon Braga.
"In the end, I was wrong, of course," he conceded. "It actually
had a very good premise driving it, which was the idea that some
species see dreams as just as valid a reality as the waking
state. That is a fascinating idea." |
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This episode achieved a Nielsen rating of 3.7
million homes, and a 6% share. |
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