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	The initial spark that started the development of both this episode and the Mari specifically was writer Kenneth Biller's interest in the topical subject of broadcast violence. He explained, "I'm very interested in the debate that goes on about violence in the media, and whether or not violence on television causes people to commit acts of violence. Thinking about that, a natural extension seemed to be this society in which people were responsible for their thoughts. Taking it even a step further, if you had a violent thought, you were responsible for the outcome, no matter who committed that. Naturally that would lead to one's having to create a telepathic society in order for that to even be an operative consideration."
	Confronting the roguish character of B'Elanna Torres with the laws of such a society made sense to Ken Biller. He said, "B'Elanna seemed like the natural person to put into that predicament, somebody who is not in control of her thoughts, but struggles to control her behavior. In this society, though, just controlling her behavior simply wasn't enough."
	Another element whose inclusion (like that of B'Elanna Torres in the story) attracted Ken Biller and (in common with both the episode and Mari society in general) had its roots in somewhat controversial issues was the Mari's underground culture of violent thoughts. "I [...] thought it was an interesting element to bring in this underground, red-light district," Biller stated. "Like drug addicts, they traded in illicit thoughts and illicit material. It was a way to get into a lot of different issues in our society now, where I think that people are often considered not responsible for their own actions. We make lots of excuses for people's behavior. Also, I think that the more we criminalize and make things that may be natural for people illicit, the more people will do to get them, like in Prohibition."
	The script of this episode was repeatedly rewritten, with changes still being made to the teleplay during the episode's production period. Nimira actress Gwynyth Walsh recalled, "The script underwent quite a few revisions. The plot didn't really change a lot, however, as the changes were mainly to the dialogue. There was some more explicit dialogue in the first draft of the script, and [the producers] probably thought that it was hitting the nail on the head a little too hard, so they backed off a little. Rather than telling the audience what they should think, the finished episode presents the situation and allows viewers to come to their own conclusions."
	Ken Biller generally liked the process of writing this episode. He noted, "I enjoyed writing about those ideas and trying to make a relevant show."

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