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TREKCORE >
VOY >
MESSAGE IN A
BOTTLE > Behind the Scenes
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Robert Picardo made some uncredited, humorous
contributions to the script of this episode. Shortly before the
end of Star Trek: Voyager's fourth season, Picardo explained,
"I
have gotten into the habit of calling [episode writer] Brannon [Braga]
with joke suggestions, and I scored pretty well on that
particular episode." At about the end of the fifth season, Picardo commented,
"I'm
still phoning Brannon quite often with potential joke lines,
although my record is still 'Message in a Bottle'. I think I had
six jokes that were mine, in that episode." All six of these humorous suggestions
were promptly approved for use in the installment.
One specific instance of the suggested
jokes was, as described by Picardo himself,
"in the scene with
[...] EMH Mark-2... and my scripted line was 'Stop breathing
down my neck.'" The actor recalled,
"I said to Brannon, 'You know, we don't really breathe.' He
said, 'It's just a human expression.' It still troubled me." Picardo consequently requested the addition of two particular
lines of dialogue. "I remember calling Brannon,"
remarked Picardo, "and suggesting the following two rejoinders: EMH
Mark-2 says, 'My breathing is merely a simulation.' To which the
Doctor replies, 'So is my neck. Stop it anyway.'" |
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Robert Picardo suspected that he may have
influenced some of the episode's jokes without being told he
had. "There are even sex jokes which I insist Brannon Braga
stole from my convention material," Picardo declared,
"because
I've been doing 10 minutes at conventions for a couple of years
now about whether or not the holographic doctor is anatomically
correct." |
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The episode's final scene was considerably altered;
the scene was first shot in Voyager's mess hall, with the ship's
entire crew, but was subsequently reshot and relocated to
sickbay. Explaining why the first version was not used, Robert
Picardo stated, "It was too much. Originally, we had all these
extras, and it was this big emotional moment. They decided it
was too much like The Waltons. We ended up redoing that scene
and keeping it small, just with Janeway, [Chakotay] and Tuvok." |
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Actor Andy Dick was offered the role of the EMH
Mark II after letting Brannon Braga (who was a friend of the
performer) know that he would be interested in making an
appearance on Star Trek: Voyager. Accounting for his acceptance
of the role, Dick recalled, "It just seemed like such a great
opportunity. I was a fan of Star Trek, but I'm not what you
would call a regular viewer of any of the shows. I just thought
it would be a challenge for me to do an episode." |
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Andy Dick had many other friends who were excited
to hear of his upcoming role. "I have many friends who watch the
Star Trek shows religiously," he explained. "They were all
psyched when I told them that I was doing Voyager." |
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Because Andy Dick (who was best known for playing
the character of Matthew in NewsRadio) was not entirely familiar
with Star Trek, he prepared for his role here by watching some
episodes. Robert Picardo explained, "Clearly he had not really
seen the show before he got this episode, so he watched a few
episodes and got an idea of the style of the show, because he's
on a situation comedy [....] And even though we were setting up
to do a funny Star Trek episode, there's a certain style to our
kind of performance that he wanted to acquaint himself with,
which he [partly] did from watching the show." |
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Indeed, although Andy Dick found that he extremely
liked his Voyager character, he also found that portraying the
EMH Mark II took him into unfamiliar territory.
"I was right in
thinking it would be a challenge for me," Dick admitted. "It was
really an eclectic style of acting. It's like doing a French
period drama and then doing Shakespeare. It was completely
different from what I had done before. I mean, there's no
comparing how we do NewsRadio to how they do Voyager. None
[....] The characters are so different, too [....] As with
Shakespeare, you have to stay within boundaries when you do a
Star Trek show. The words are different; the style is different.
I wanted to challenge myself and try that, too." He joked,
"It
was really like taking a class in Trekker-ism." |
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Other difficulties were caused by the fact that,
although Andy Dick normally wore glasses (including on NewsRadio),
he found that he couldn't do so here. He said of his Voyager
appearance, "One of the strangest things about doing it was that
I couldn't wear my glasses [....] I was tripping down steps and
bumping into things all the time. It was really funny."
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On the other hand, Andy Dick appreciated that he
was made to feel welcome on the Voyager set. He reminisced,
"Everybody was really nice to me [....] I had a great time." |
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A particular relationship that Andy Dick valued was
with Robert Picardo. "Robert Picardo was so awesome!" Dick
raved. "He helped me so much, getting me to relax and helping me
get that Star Trek jargon right. I don't think I could have
pulled it off if he hadn't been there. Robert was hysterical.
He's probably funnier than I am. He had me and the crew cracking
up all day." |
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Early in their working relationship, Robert Picardo
and Andy Dick teased one another about each others' surnames.
During production, Picardo remarked, "My favorite Andy Dick
story is this. About three or four days into the shooting he
says to me, 'So your name is Picardo. It's so close to Captain
Picard. Do you get teased a lot about that?' And I said, 'Your
name is Andy Dick, and you're going to make fun of mine?' So he
laughed – apparently he has a sense of humor. I don't think you
can grow up with a name like that and not have a healthy sense
of humor." In a
retrospective interview, however, Picardo stated that the
encounter in which they had traded barbs about one another's
surname was "when I first met Andy" and, moments later, said,
"That was our icebreaker, so [...] after that, we would joke
about anything." |
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Robert Picardo was somewhat worried about being
reported to be bosom buddies with Andy Dick. "I remember saying
to him, 'My biggest fear is that, when this episode airs, that
TV Guide will do a little close-up box about it and it will say
something like, 'Picardo and Dick a treat,' or, 'Picardo and
Dick inseparable,' [...] 'Picardo and Dick, together forever.'
It just seemed... it seemed to give me a note of caution.
However, I didn't follow it and I did tell the story." |
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Aside from the name-related jibes, Robert Picardo
found that he enjoyed working with his co-star on this episode.
Picardo commented that his own perception of Dick as "a bit of a
loon [...] appealed to me" and that, consequently,
"we got along
real well." Picardo went on to say about Dick, "He was very
solicitous of my advice about the world of playing doctor
holograms, what the conventions were, and how I said, 'Please
state the nature of the medical emergency.'" Picardo also
commented that Dick familiarized himself with the style of
performance required on Star Trek by "asking me and the director
questions." |
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Initially, Robert Picardo was nervous about this
episode's script. "That was one of our most overtly comic
[episodes]," observed Picardo. "The whole second, third, and
fourth acts with Andy Dick were quite funny, and intended to be
funny. I'm always a little nervous when we try to do a funny
script, because in my opinion Star Trek has never been known for
its comedy [....] The situations they put us in were funny, so
there was a lot of high anxiety and panic." |
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Ultimately, however, Robert Picardo was very
pleased with the episode. He opined, "It did work out pretty
well." He also
stated, "'Message in a Bottle' was [...] very well done. It was
quite a funny show, but its ending was quite serious [....] It
was an exciting show." During the fifth season, Picardo enthused,
"I loved that show. It was one of my favorites from last season.
It contained a lot of humor, but was also very exciting and
dramatic." Additionally, Picardo considered this episode to be
"a nice demonstration of
how the writers can use me, and find ways to give me interesting
and different things to do, within the given circumstances of
this character." |
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Robert Picardo was also proud of the
breathing-related joke he devised for this episode, which he
termed as both "the [joke suggestion] I'm proudest of" and "my favorite
exchange that I have ever gotten into a show." Picardo
further commented, "I thought [it] sounded
like two holograms bickering. 'What holograms bicker about.'
That was a fun moment." Additionally, he remarked,
"I thought it was a good example of a
Niles/Frasier one-upmanship."
Picardo believed that such comparisons with those two main
characters from the television series Frasier were warranted. He
said of himself and Andy Dick, "We do have some very high-paced
comedy scenes together, where we natter at each other, and it
does sound a little Frasier-like." |
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The revised version of the episode's final scene
was another highlight of the episode for Robert Picardo, who
particularly enjoyed the performance that Janeway actress Kate
Mulgrew delivered for the scene. Picardo commented,
"That is a
touching moment [....] Kate's reaction was great, at the end. It
is a moment of triumph." |
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Executive producer Jeri Taylor was highly amused by
the pair of actors who played the holographic doctors here. She
remarked, "[Andy Dick] and Robert Picardo together are just
hysterical." |
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The two Starfleet officers beaming over to the
bridge of the Prometheus near the end of this episode were
played by two regular DS9 extras. This is probably because,
unlike the Voyager extras, they were fitted with the latest
Starfleet uniforms – the same type as can be seen worn by the
other Starfleet officers aboard the Prometheus here, including
the EMH Mark II. |
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The production of this episode was enjoyable for
Andy Dick. "They work very hard on Voyager," he observed.
"Some
days went as long as 16 hours. It was nice to be able to work
hard, but also to laugh hard the whole day." |
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There was some confusion during the production of
"Message in a Bottle" concerning the registry of the Prometheus.
According to Michael Okuda, he had used the number 74913 on all
the internal displays and the ship's dedication plaque. However,
the Foundation Imaging FX artists did not get the memo and used
the number 59650 instead. Although Okuda's number does appear on
screen, the Foundation number is much more visible. |
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According to the unauthorized reference book Delta
Quadrant, the bridge of the Prometheus was a redress of
the USS Enterprise-E's bridge. |
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Visual effects supervisor Mitch Suskin was highly
pleased with the sets for the Prometheus. "I think the art
department did an amazing job on the interior of the
Prometheus," Suskin remarked. |
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A shot that involved holographic appearances and
disappearances being choreographed as different from how they
usually were was one in which the EMH Mark II deactivates
himself, duly disappears and Voyager's Doctor moves into the
area vacated by the Mark II, who then – reactivated by Voyager's
Doctor – reappears in the background. "Obviously, in production
Andy [Dick] dropped out of frame, ran around to the background,
and continued the scene," Mitch Suskin explained. "But this kind
of staging makes the shot more fun and more satisfying."
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Tiny Ron (Idrin) is better known for his role as
Maihar'du, the Hupyrian servant of Grand Nagus Zek, in Star
Trek: Deep Space Nine. |
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The exterior of the Prometheus was designed by
senior illustrator Rick Sternbach. This was the first episode to
feature CGI versions of the D'deridex-class Romulan Warbird,
which CGI supplier Foundation Imaging built as a digital model
especially for this episode. To visualize the pair of Defiant
class ships that are shown here, the visual effects artists
borrowed a digital model of the Defiant from Digital Muse. That
company also produced the astrometrics graphics of this episode,
the creation of which constituted a considerable challenge. Much
of the episode's visual effects work involved adding the
appearances and disappearances of the two holographic doctors
(effects that Mitch Suskin described as the holograms "zimmering
in and out"). |
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The effect of Voyager's Doctor being sent between the
Alpha and Delta Quadrants was done at POP Film and POP Animation.
Mitch Suskin recalled, "It was a 3-D mannequin that was rendered on
a Macintosh, [with] a lot of compositing bay futzing around to get
the whole thing put together. Obviously it needed to have some
connection to the hologram universe of Star Trek and the zimmer, but
we wanted it to have a different look and to get the idea that he
was being compressed." |
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This episode was Mitch Suskin's favorite
installment of Star Trek: Voyager's fourth season.
"'Message in
a Bottle' I'm most pleased with," he said,
"because it was a
really funny story." |
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Both of the episode's two lead actors perceived
this episode as being a fairly popular one. Shortly after
working on the installment, Andy Dick stated,
"As far as I know,
people liked the episode. I've gotten positive feedback from
everyone I've spoken to and, from what I understand, the fans
liked it, which is the most important thing." Robert Picardo later cited this as one of two
episodes from the fourth season that he knew had been favorites
of fans on the Internet (the other such outing being "Living
Witness"). |
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One controversial element of this episode was its
use of two Defiant-class ships, as many fans had previously
believed that the USS Defiant was the only ship of its class,
despite other Defiant-class starships appearing in shots of the
Second Fleet in "Call to Arms". The question of how many
Defiant-class ships there were was therefore a topical
discussion point, both on the Internet and among some of the
makers of Star Trek themselves.
This issue was later directly addressed in the
episode "Valiant", with confirmation that Starfleet had put the
class into full production during the Dominion War. |
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Robert Picardo was extremely pleased that the
relationship between his own character of The Doctor and the EHM
Mark II was publicized as being similar to the bond between
Frasier and Niles Crane. The actor remembered,
"When the
[Voyager] show aired, we got a review in USA Today that called
Andy Dick and I the 'Frasier and Niles of outer space' [....]
Because I love that show and both those actors, I thought that
was about the highest compliment we could have gotten." |
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After having appeared in this episode, Andy Dick
felt he had learned how to handle the technobabble of Star Trek.
"I can now talk pretty convincingly about Romulans and
holoemitters and starships," he said, shortly after the
episode's production. He was also very open to the possibility
of returning to Star Trek. "Oh, I would totally do it again!" he
enthused, before saying of his many friends who watched Star
Trek, "Now they're telling me that I would make a great Ferengi
on Deep Space Nine." He concluded,
"I would love to do Star Trek again. I'm just sitting here right
now, waiting for the phone to ring. If they came up with another
show as good as that, I'd be there in a minute." |
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Robert Picardo was under the erroneous impression
that, upon the series finally depicting Voyager's return home, the
plot point about The Doctor achieving the first contact with
Starfleet here would, in his words, "come back and resonate." |
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